12/26/2023 0 Comments Mkvtoolnix unicode 4.9.1"Real" demons do rear their heads in Dostoevsky's writing but what of the demonic more broadly interpreted such as the unclean forces-so diffuse, ugly, and ubiquitous-found throughout Russian folklore, in Christian demonology, and in the demon-figure of European Romanticism? These are the "demonic markers" that William J. Expand DescriptionĪ Devil's Vaudeville: The Demonic in Dostoevsky's Major Fiction At its core, Challenging the Bard offers a unique perspective on the poetry of the master, Pushkin, the prose of his successor, Dostoevsky, and the nature of literary influence. By examining each literary figure in terms of the other, Rosenshield demonstrates how Dostoevsky both deviates from and honors the work of Pushkin. ![]() Prokharchin, The Gambler, and Crime and Punishment-Rosenshield observes that the younger writer's way to literary greatness was not around Pushkin, but through him. Focusing primarily on Dostoevsky's works through 1866-including Poor Folk, The Double, Mr. In Challenging the Bard, Gary Rosenshield engages with the critical histories of these two literary titans, illuminating how Dostoevsky reacted to, challenged, adapted, and ultimately transformed the work of his predecessor Pushkin. Expand DescriptionĬhallenging the Bard: Dostoevsky and Pushkin, a Study of Literary Relationship ![]() An innovative look at a classic French auteur and three giants of European literature, The Bond of the Furthest Apart will interest scholars of literature, film, ethics, aesthetics, and anyone drawn to an experimental venture in critical thought. Whether exploring Bresson’s efforts to reassess the limits of human reason and will, Dostoevsky’s subversions of Christian conventions, Tolstoy’s incompatible beliefs about death, or Kafka’s focus on creatures neither human nor animal, Cameron illuminates how the repeated juxtaposition of disparate, even antithetical, phenomena carves out new approaches to defining the essence of being, one where the very nature of fixed categories is brought into question. In the French filmmaker Robert Bresson’s cinematography, the linkage of fragmented, dissimilar images challenges our assumption that we know either what things are in themselves or the infinite ways in which they are entangled. The “bond” of Sharon Cameron’s title refers to the astonishing connections found both within Bresson’s films and across literary works by Tolstoy, Dostoevsky, and Kafka, whose visionary rethinkings of experience are akin to Bresson’s in their resistance to all forms of abstraction and classification that segregate aspects of reality. ![]() The Bond of the Furthest Apart: Essays on Tolstoy, Dostoevsky, Bresson, and Kafka Inspired by class discussions with her students and aimed at first-team readers of Nietzsche and Dostoevsky, Against Nihilism provides an accessible, unique comparative study of these two key thinkers. Against Nihilism also considers nihilism in the context of current political and social struggles, placing Nietzsche and Dostoevsky’s contributions at the heart of important contemporary debates regarding community, identity, and meaning. Maia Johnson-Stepenberg’s accessible new introduction to these philosophers compares their writings on key topics such as criminality, Christianity, and the figure of the “outsider” to reveal the urgency and contemporary resonance of their shared struggle against nihilism. Described by Thomas Mann as “brothers in spirit, but tragically grotesque companions in misfortune,” Nietzsche and Dostoevsky remain towering figures in the intellectual development of European modernity.
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